Filmmakers have advanced a long way from the early use of those rear projection scenes. We laugh at those now but Hollywood FX had to start somewhere. Today, directors can contact the latest state of the art technology to assist them tell their story. Some people believe that there is an over reliance on unique effects, to the hinderance of story and characterization. New methods have had one of the most effect on historic epics, sci-fi and animation.
A combination of miniatures and stop motion animation made King Kong from 1933, a landmark in Hollywood FX. Ray Harryhausen was the effects wizard who made the great appearance real, in motion pictures that consisted of Jason and the Argonauts and The Golden Voyage of Sinbad. No wonder was beyond the power of unique effects gurus.
Further development came when effects supervisor Douglas Trumball created new methods for the final voyage in Kubrick's 2001: A Space Odyssey. The hallucinogenic images raised the bar for others to follow. Director George Lucas rose to the difficulty and amazed audiences with Star Wars in 1977. His group created a brand-new computer controlled video camera that improved repeated video camera motion and widescreen shots. Lucas then formed Industrial Light and Magic, the company that has originated Hollywood FX since.
Today, we are utilized to the concept of films being shot with a blue screen and the background being added later on. Computer System Graphics Imaging (CGI) dominates the scene now. Any object or individual can be controlled by the computer and mixed in with the live action. This technique was put to fantastic use in Spielberg's Jurassic Park and James Cameron's Terminator 2: Judgment Day. The effects group at Pixar has actually introduced it to their complete length animations, such as Toy Story. The days of laboriously hand painting each frame of animation are practically gone. The Weta workshop in New Zealand has constructed a track record as one of the best special effects business, especially since the success of the Lord of the Rings trilogy.
effects will continue to advance now that the genie of technology is out of the bottle. Hollywood FX has actually made the return of the epic movie possible. It would have been cost expensive to build a mock up of the Coliseum in Gladiator. Russell Crowe combats the lions in a CGI virtual world.
We laugh at those now however Hollywood FX had to start somewhere. A mix of miniatures and stop motion animation made King Kong from 1933, a landmark in Hollywood FX. Ray Harryhausen was the effects wizard who made the wonderful look real, in films that consisted of Jason and the Argonauts and The Golden Voyage of Sinbad. Lucas then formed Industrial Light and Magic, the company that has originated Hollywood FX ever since.
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